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Material Girl i85mixx21–22 (These Are Tears of Joy)
On repeat. It’s hip hop, it’s a sound collage, it’s jazzy and warm but not “cool” or laid back (it’s rather dense and fast-paced), diary-like in the way the artist just expresses himself in a sort of stream of consciousness — and whereas Tangram was seven pieces coming together in non-obvious ways, this one is really just a single long composition and I got into it immediately.
▷ Bandcamp
▷ RYM
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Lightwave Tycho Brahé
Space ambient with strings, subtle dissonances, complex arrangements — observing strange phenomena, mapping the movements of stars and nebulae. The richness of the sound design and the fact that it’s not all synths make this one of the best I’ve heard in the genre yet.
▷ Official website
▷ RYM
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Unknown Damage Third Summer of Love
As hedonistic and psychedelic as you’d like a trance album to be, but it also contains some serious or dark elements, a little eerieness even, plus influences from more experimental genres and media. Dancing with monsters. Tripping with bright colours among the darkness. Also the pacing is solid, it’s a short album with a clear trajectory. Thanks 1Chops!
▷ Bandcamp
▷ RYM
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Anne Simon Perséphone aux Enfers
A surreal, silly and fun retelling of the myth of Persephone and Hades in hell with wacky monsters; it looks like this! My kind of thing.
I bought this a while ago, turns out nobody knows about it: it hasn’t been translated, reviewed nor republished, the first edition of 1500 copies is sold out and it’s only available in public libraries now. Oh well. Good thing we have public libraries.
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Strawberry Hospital Data.viscera
Empowering, not even just in the lyrics but sonically. This feels so wholesome and sensitive, and loud and powerful. A guardian angel protecting you out of love and destroying anything that would hurt you. (Similar to Grave Chimera but better.)
▷ Bandcamp
▷ RYM
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Five Star Hotel void injex
And this… is sort of giving me similar vibes even though it shouldn’t? I’m not sure why — it’s a different genre, aggressive, less melodic. In many ways it’s crude but there’s something in it that grabs me.
▷ Official website (seems like she scrapped this album though)
▷ RYM
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16 Bitch Pile-Up Bury Me Deep
Her terrifying beats for clipping.’s “Club Down” (on There Existed an Addiction to Blood) were one of the album’s strongest points, so I looked up what else Sarah Bernat had made and hey, check this out — story-driven horror noise concept album!
Each track is a different scene. There’s a really cool 18-minute atmospheric drone/noise track, but don’t let that fool you into thinking you’d be safe playing this on speakers if anyone can hear you. Just a handful of seconds before, I felt “oh shit” — it wasn’t a gratuitous jumpscare, I heard it coming, but I still wasn’t prepared for it. “Through the Brown Earth” is so short but terrifying, and the following onslaught isn’t any less effective. Perhaps the album’s main flaw is how narrative and linear it is, your first listen is probably going to be the best one (when you know things are about to go down, the tracklist even tells you exactly when, but you won’t know exactly how until you’ve heard it). Still, even on subsequent listens, this is good noise.
▷ RYM
▷ No link for their music but here’s a funny interview
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Angélica Garcia Echo eléctrico
Five intense and beautiful songs — nearly all vocals, the artist singing in chorus with herself to a dizzying effect.
▷ Bandcamp
▷ RYM
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PinkPantheress to hell with it
Lovely r’n’b with drum and bass beats — only 18:33 but it feels like a highly concentrated album, if you like Erika de Casier or Rochelle Jordan and would also enjoy something more concise and energetic, get this!
▷ RYM
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Shelley Parker Wisteria
Shelley Parker’s early works were at a junction between purely experimental music (atonal, drone-adjacent) and electronic dance music — basically industrial techno or UK bass without the beats. Or with very, very slow beats you could not possibly dance to, only evoking a non-human rhythm. Or something close to Andy Stott if he had decided to ditch melodies and vocals altogether and focus on minimal drones and textures. Hostile, unidentified concrete buildings at night. Definitely interesting, but they also left me wanting for more as each track hinted towards something and then the record would just end.
On Wisteria, though (and before it, on the Red Cotton EP), Parker just… adds beats back to the formula. (Breakbeats here, which actually works better than the techno or UK bass I expected!) Without losing that sense of concreteness, that focus on experimentation which made the previous works interesting in the first place. And it totally works! There’s a lot of energy here but what really catches my ear is what happens just behind the main scene, lurking in the background.
(The only thing I don’t like here is the cover art. Cold, drab, square, in an aesthetic that reminds of me of old CG but without any of the futurism, only the uncanniness. Was this intentional?)
▷ Bandcamp
▷ RYM
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Monobox Regenerate
I really like Robert Hood’s signature style of fast, intensely repetitive loop-based techno (the M-Print 20-year anniversary compilation has a lot of that and so does his Fabric 39 mix), and using that same approach for house music on “Funky Souls” as Floorplan was just insanely good.
This one is different though. More spatial, more colourful, with slower progressions (though the basic rhythms are still pretty fast, each track evolves in subtle ways). And it’s also great! Consistently interesting, I liked it from the first listen but it only grew on me after that.
▷ Bandcamp
▷ RYM
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Kevin Saunderson X-Mix: Transmission from Deep Space Radio
Solid 1997 techno mix from one of the pioneers of the genre!
A shorter version of this was also released on VHS, with accompanying CG graphics. Of course there are giant eyeballs and metal heads.
▷ Video
▷ Discogs
▷ RYM
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sleepsucks.tumblr.com
Daily comic diary by a French artist who’s also transgender and works in animation! I like comic diaries. (« Blogs BD » as we call them here, they used to be a pretty big thing, I don’t know if they still are?)
▷ Tumblr
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▷ Sometimes I also like to just open the window and listen to the birds outside.
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Juliette Porée Unfair
Okay, I’ve known the artist personally for a while, so I’m not objective. Still, this hits me pretty hard.
Her previous Hiss Album was understated, mostly haunted drones and distant field recordings, but this — while it feels similar in some ways — confronts you will all kinds of emotional wrongs. Sadness, despair, panic, running in circles until you get mad. And it feels disorienting in its structure, with unexpected changes and repetitions to the point that it really feels like living in the house on the cover. A home. But all wrong. Doesn’t look like it can hold. Doesn’t look like you should stay here. Perhaps you should destroy it or reconstruct it?
(This might be just me, but the atmosphere sort of reminds me of Mortis Ghost’s OFF’s.)
The one line sung in French, « les fondations s’effondrent mais les murs sont restés » means “the foundations are collapsing yet the walls are still there”.
▷ Bandcamp
▷ Faustine Software (her own website, free streaming + download)
▷ RYM
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Lily Soryu There’s Something Wrong with My House
Which also reminded me of this one. Which can be a taxing listen because of how emotional it is (content warnings are on the page), but it’s also unforgettable and comes straight from the heart. Ten minutes long is the perfect format here. Why are robotic voices so haunting?
▷ Bandcamp
▷ RYM
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Drown Утоплення
Atmospheric doom metal without the metal = pure subaquatic atmosphere. No vocals, no rhythms, no progression, just murky underwater darkness.
▷ Bandcamp
▷ RYM
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Cio d’Or Ur / Uhr
Ambient dub techno to listen to late at night, before you go to sleep. There’s still energy in there but you can tell it’s all becoming soft and hazy and evanescent in the most pleasant way.
▷ Discogs
▷ RYM
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